
i would feel remiss in not making a comment on this new social phenomenon. and what a phenomenon it is. i mean who knew that two and a half hours of unculminated teenage sexual tension would drive people to hysteric fits of unrelenting psychosis with borderline mania literacy, for the first time since the dawn of elvis the pelvis. that normally rational and well behaved women all over the world are pledging their first born children to the instantly famous authoress, should come to no one as a surprise. i think we should all just be grateful that no one in the movie/novels is described as looking like anything as heinous as a warlock or a mandalorian. if people are going outside dressed up as vampires, at least they look like Bella rather than Boba Fett.
i guess now would be the time to preface that i’ve seen the movie…four times. and i don’t even have a remotely good excuse for any of those occasions. another crucial fact, i own the soundtrack. but what distinguishes me from the masses is that i didn’t use garageband to splice the fifteen second sequence of music where bella and edward meet and then endeavor to make a “mix tape” with 96 tracks of that sequence. the fact that i know someone who did, makes me feel just about as bad though. if mockery is the highest form of flattery, i might possibly be the twilight’s biggest fan. look out world, this is the skin of a stalker!

to stephanie meyer, with love, rachel!
also:

So I guess what I want to know is: when did we decide that we were going to settle for grossly inadequate pornography? Sure, in terms of achieving sexual gratification, Michaelangeo’s David need not be involved. Long before Deep Throat introduced us to the wild world of political and sexual intrigue (thus justifying the existence of nerdy analysts everywhere), sex and art had been inextricably entwined since time immemorial; classic art being but a topical contribution to the glorification of fertility- dating back to prehistoric idols flaunting grotesquely exaggerated hips and busts. It is no wonder at all that Freud found sexuality latent in pre-modern society, lounging beneath the surface of our newly acquired hypermorality. By the time we resigned Betamax and our Victorian sensibilities to the scrap heap, profligately abandoning ourselves to all VHS’ wanderlust of retrospandex had to offer, we had welcomed the ubiquity of media sexuality into our homes. By the end of the century, pornchic existed not only as an homage to the act of physical release, but as a movement celebrating the culturally normative integration of sexual emancipation and mainstream media. So what has changed? 

Who has loved us most recently